Fantasia SAL – Week 16

Dance of the Hours
by Amilcare Ponchielli

Fantasia fun fact: The costumes that the animals wear in Dance of the Hours represent the time of day each of them represents. The ostriches wear colors to suggest the delicate light of dawn, the hippopotamuses are dressed to represent the brilliant light of noonday, the elephants wear colors to suggest the delicate tones of early evening, and the alligators are in darker colors to suggest the dark hours of the night.


Fantasia SAL – Week 15

Shepherd’s Song
from The Pastoral Symphony
by Ludwig van Beethoven

Fantasia fun fact: Several Greek mythological characters are portrayed in “Shepherd’s Song.” You see: Iris, the personification of the rainbow and messenger to the gods; Dionysus, the Greek god of wine and pleasure; Apollo, who pulls the sun across the sky with his chariot; Nyx (some sources suggest this could be Morpheus), the personification of the night; and Diana, the goddess of the hunt.


Fantasia SAL – Week 13

Merry Gathering of Country Folk
from The Pastoral Symphony
by Ludwig van Beethoven

Fantasia fun fact: Fantasia was originally only released in about a dozen cities, mostly due to the high cost of the video and audio upgrades needed to show it. Due to this, and WWII cutting off the European markets, the initial release of Fantasia fell far short of making back it’s high costs of production. However, the re-release in 1969 saw stellar profits (and some amazing psychedelic posters).


Fantasia SAL – Week 10

Meet the Soundtrack

Fantasia fun fact: Fantasia was the first film to use stereophonic sound. A dozen or so theaters had to upgrade their equipment to show the film in what was called “Fantasound.” They had to install more speakers around the room, as well as new projectors and sound reproduction machines. The estimated cost for the upgrades was around $85,000 per theater, which is close to $1.8 million today when adjusted for inflation.


Fantasia SAL – Week 9

Rite of Spring
by Igor Stravinsky

Fantasia fun fact: Disney wanted the dinosaurs to feel real in the “Rite of Spring.” He brought in paleontologists Barnum Brown of Manhattan’s American Museum of Natural History and Chester Stock of California Institute of Technology as consultants, and pet iguanas and a baby alligator were brought to the Studio for the animator’s inspiration.